Writing Exercises

I have started an online writing course this semester. So far, I really like it. We haven't done much yet--only read some texts and sent in a shorter essay about ourselves and our relationship to writing, and done some shorter, simpler writing exercises. But I love that I have been forced--or able--to make more time in my day for writing. I still think I need to do more of it, though.

I thought I could post some of my own writing execises here. Not the ones I'm submitting because I don't know, but some of the extra ones I do, mainly in order to keep my writing up and get used to eat and become better. So here is a short taste of what I write.

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These are two exercises/challenges I found on a blog.

1. Take a book, close your eyes, randomly select a word. In 10 minutes, write exactly 101 words about that word.

(I selected the word blood från The Unabridged Journals of Sylvia Plath, which I am reading at the moment--it's very helpful in the writing process too.)

I think my blood is infected with poison. When I am sad or anxious, I imagine the poison running through my veins. Blood reaches into every corner of my body. From outside, it brings oxygen, poisoned air, to my heart. There it is condensed and given a purpose: ‘Take it to the head, to the limbs.’ The blood carts the poison, which is enriched along the way, to the fingertips and the brain and the uterus. That blood is everywhere and I would have to empty myself to get all the poison out. (If I’d guess, the poison is merely life.)

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2. Pick a book and open a page at random. Take the first ten lines on the right-hand side and write down the first word of those lines. Write a poem or a story where every sentence starts with each of these words in order.

(I'll use the same book.)

Have a glass of water
And bread, coarse bread with nuts and grains
They are not much, but they will give you
Life
Must not, need not, have not, be not. I
Am
So much more.
And you are too. Eat the bread
Which is life-giving and true
The clarity of water will help, too.

(My words were not great. Here is another try with the same words. I cannot be bothered to edit.)

Have you ever felt the intimacy with someone reading on the train next to you? And felt almost proud when you, too, bring up a book. They exist in that book’s universe and you in yours. Life is lonely anyway, but next to each other, you and they are in parallel universes, less alone perhaps. Must not escape no, perhaps not. Am just passing time. So they read to pass time. And you read to escape. Which is not to say that is is working; that you actually do escape, or that time passes—but you pretend, with them. The universe is not only in this train, it is in your head and their heads and it is unlimited.

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2014 review

I wanted to write something about the year (I have writing itching in my fingers), so I have taken a list from a favourite blog of mine and edited/translated it.

Describe the year with three words.
Leeds, lit-studies and depression.

How did the studies (and job) go this year?
My studies were great. Both terms were fantastic, educating, uplifting, inspiring and absolutely wonderful. At the same time it has been incredibly difficult (at one point I even considered dropping out). The spring was mostly wonderful and my grades were fine--I got the UK grade 2:1, which is something like C/B I think. The autumn has been more anxiety-filled and exhausting, but I have gotten great grades, so far all A's on essays, and A in the only course I have finished so far.
The job has gone on. It has been both meditative and boring. Lately, mostly boring. I am in charge of social media which is at times fun but mostly anxiety-inducing and horrifying. I am thinking of quitting it.

The people in my life this year.
I have attempted to withdraw, which I have succeeded with I would say. I don't have to see people as much what with living alone. But friendships are more or less the same, although I am less close with one of my best friend. Gets along better with certain people at work. Met lovely people at Oxfam in Leeds. Did not really befriend anyone this year, except possibly someone at work.
Social life has, overall, been very difficult this year.

The best trip this year.
Naturally Leeds, but if I had to specify more (what with being there for six months...), it woul be the short trip to Haworth I did when I wandered on the moors, the longer trip to Cardiff, Bristol and Bath and maybe my first few days in London before I went to Leeds--with the flavour of freedom in my mouth.

Best memories or moments of the year.
The evening I went to the poetry reading at uni, in Leeds, where I had wine and fell in love with poetry and talked to and saw people I liked.
When I got use to being in Leeds and realised my freedom of being there. Those freeing walks and bus rides and coming home to my flat.
The Head and the Heart concert in Manchester.
Any one of the good seminars/meetings I have had with my two favourite teachers this year.
Travelling alone. Some of the other concerts. Coming home to my flat, even this one in Stockholm.

Worst memories or moments of the year.
I would rather not think of them, but some of them are: the first few days in Leeds, when I was leaving Leeds, the first week home in Sweden, this entire autumn. When I was too drunk at two points, but my mainly last New Year's Eve. Some of the concerts I went to this year, when the mass of people have me panic.

What was the best thing you bought?
Maybe my black skirt on sale in Leeds, or books such as Glass, Irony and God, The World's Wife, Division Street, and The Waves. Can't think of anything else in particular. I bought a lot of skirts and dressed in England that I love.

What was the best gift you received?
Virginia Woolf's and Sylvia Plath's diaries. An analogue camera I got from Lina. Gift certificate to get a tattoo (which I haven't used yet). *The gift of knowledge.*

What was the biggest musical discovery?
BY FAR Kent. They made my months in Leeds. God I adore them, especially the latter albums. They are my favourite Swedish musicians.
Here is a playlist with the music I listened to this year.

What was the biggest literary discovery?
TOO MANY. Whole genres! The English 18th century literature, Boswell, Maria Edgeworth, Ann Carson, Helen Mort, and the re-discovery of Virginiaa Woolf.

What did I watch?
Few movies--the only one I remember liking is The Hours. But on TV: Orange is the New Black, Downton Abbey, Brooklyn Nine-Nine, Parks & recreation, Broad City, Historieäterna, Hannibal, Buffy (still stuck on the sixth season), Friday Night Dinner, Girls, Game of Thrones, Orphan Black, Pushing Daisies, and Veep.

This I should have done more of.
Always reading. Maybe talked to someone. Said yes. I did dare to do a lot, but I could have dared more. Believed in myself. Oh, and writing, definitely more writing. And more taking photos and blogging. Ugh. I will try to be better this year...

This I should have done less of.
Drinking wine... Doubted and hated and been ashamed of myself so much. I have been wrong to doubt myself so much this year. I should have done less of the things I did not want to do.

Biggest insight of 2014.
That I am unwell, maybe. That I realised I am actually depressed and anxious--that this is what depression and anxiety is.
And the insight, that Leeds is where I want to live, and English literature is what I want to work with, study and think about.

This I bring with me into 2015.
Very little. 2014 has not been good at all--and I don't believe 2015 will be any better. I will remember that I like running and that I can get good grades in literature courses. But a whole lot of memories from my home on this planet.

The Waves

I read The Waves for class a few weeks ago.

It is the fourth novel by Woolf I have read this semester. In addition, I have re-read "A Room of One's Own" and read two short stories. We have two texts left to read. It seems actually ridiculous that I, at the start of the semester, was reluctant to start with Woolf and give up 18th and 19th century literature, and that I did not then know Woolf as I do now. Well, that I did not know her is not too strange. I had not then spent around three months reading nothing but texts by Woolf or texts about Woolf. But to think, at that time, I did not realise how extraordinary her writing is. I did not even particularly like Mrs Dalloway then.

So ridiculous.


But I read The Waves and it filled me with awe from the first page. I was amazed, genuinely, to think of a novel written in that way. I had no idea before I started so it was a surprise. Then I had to read it pretty quickly because I had started late and it is quite long. My amazement abated, until I sat down in the class room for the seminar.

Somewhere in the space of three hours I realised that this book was maybe my favoruite of Woolf. Most people in class did not like it, so naturally I had to defend it. But what I loved the most was the things I couldn't voice, which was a theme during the seminar--everything I could and did not say--and I want to, need to, write it down. I wish I could have said it in class and defended the book properly.

It is a long prose poem, I guess. Or it is a novel written in very poetic prose. It is a conversation between six persons, but they never talk with each other, they just talk at each other, or at the reader. It is a novel consisting of six different voices--thoughts--running, repeating, complaining, groping, trying to explain, failing to explain, and reaching. It works, definitely, to think of as a prose poem. The sort of poem where different people speak but where the refrains and the theme and the words hold it together. It works to think of as a novel, too, albeit one without a particular plot (but To The Lighthouse does not really have a plot either, or Jacob's Room for that matter). It could also be thought of as a play, where six characters have monologues, or soliloquies, in Woolf's own word. Or, you can think of it as a radio broadcast where voices are heard and they speak without knowing if anyone listen so you have to listen.

It has fantastic language. So my favourite way of thinking about The Waves is as a long prose poem, because of the refrains and the repetitions. Oh, I loved the repetitions. I love how they defined the characters and made them recognisable. Bernard and his phrases. Neville and his perfection and classic studies. Jinny and her flames and fire and red and orange. Susan and her body working, doing stuff, and the nature and green. Louis and his self-consciousness (but the most difficult, I think, to define). And my favourite, Rhoda, immaterial, unhappy, unable to do what everyone else did, faceless and connected to water. (The women, in particular, stood out for me in terms of colours and elements: Jinny and fire and warm colours, Susan and earth and green and Rhoda and water and insubstantial grey-blue colours.)

In order not to make this too long, I will cut it short here. And only say that I loved loved loved Rhoda and Bernard. Rhoda's description of the world is fairly similar to mine (I re-read parts of her speech in a waiting room and had to put the book away because I was so nauseous and her words made me almost agitated).

The best things is the quotes. So many beautiful quotes. The second best thing is how strange it is. I can hardly believe the same writer wrote "A Room," or Orlando, or Jacob's Room. Anyway, here are some of the best quotes (put together in a way they were not put together in the book):

There was a star riding through clouds one night, and I said to the star, "Consume me."
I catch your eye. I, who had been thinking myself so vast, a temple, a church, a whole universe, confined and capable of being everywhere on the verge of things and here too, am now nothing but what you see.
I — so imperfect, so weak, so unspeakably lonely.
... the weight of the earth is pressed to my ribs.

And the poem, I think, is only your voice speaking.

It seems as if I can get to the centre of something if only I read everything Woolf wrote. Somehow, with all her exact descriptions and innovative narratives and clear-sightedness, I can understand why it is so beautiful and also so ugly, this, this, life.

School & Virginia Woolf

I have started school again. It's with mixed feelings to be sure. Mostly negative ones, but I do look forward to the structured reading again. But it won't be like in Leeds. It won't be as in-depth and interesting and enlightening. The classes are just not on the same level - they're too slow, too basic (how horrible of me). I can't stand how much time is lost on explaining things like group works and assignments. All I want it melodious voices telling me everything they have discovered about a text and be so interesting and interested that students share their own thoughts.

I will study Virginia Woolf thoroughly this semester. I didn't want that to happen, either, but it did. I'm taking a One Author course on Virginia Woolf which will be so great (if we can ever get a conversation started). The other course is Literary Theory and Method and the only fiction in that course will be To the Ligthouse. And then, finally, I will write my BA essay on Virginia Woolf.

This means saying goodbye to Barbauld, Austen and Edgeworth (for now, at least). Give up the last of my Leeds studies. I wanted to do my essay on the 18th century and women's spaces and their interiority. But they did apparently not have a supervisor for it so I was given the Virginia Woolf one (it was my second choice). It's fine, I guess, only I had looked forward to immerse myself in the late 18th century again. And it will be so much Virginia Woolf.
(Mostly I can't bear to leave Leeds behind.)

But I will have other opportunities to write essays. And I love Virginia Woolf. I really like my supervisor too; she's wonderful and has studied at Leeds and knew about one of my teachers there.
I have come to terms with the Woolf essay. But not quite with returning to a school full of people and my inability to inhabit it. I find the social aspect of school absolutely horrible. I want to attend small seminars and meet with teachers and never see another human being. It would be fine, just pushing through it, but it's tainting the whole reading-learning-doing school thing as well. And it's so much worse at Stockholm with the crowded halls and large buildings and big class rooms and classes and none of the intimacy and privacy of the teacher's own studies.

To end with something else, another emotion, here is a part from To the Lighthouse:

'And it was then too, in that chill and windy way, as she began to paint, that there forced themselves upon her other things, her own inadequacy, her insignificance, keeping house for her father off the Brompton Road, and had much ado to control her impulse to fling herself (thank Heaven she had always resisted so far) at Mrs Ramsay's knee and say to her - but what could one say to her? "I'm in love with you?" No that was not true. "I'm in love with this all," waving her hand at the hedge, at the house, at the children. It was absurd, it was impossible.'

And with this, it is not at all bad to be reading nothing but Virginia Woolf this autumn.

Leeds Elaborated

There are two moments - a day, a night - I will cherish from my time in Leeds (I cherish and miss and barely believe in it any more). For their magic and their promise and their beauty.

The first, the easiest, was only my second to last weekend in Leeds. Perhaps I remember it so clearly because it was recent. But more than that, I think it was the height of one particular aspect of my life in Leeds that I adored. It was the nature of Yorkshire; the moors; the lay of land, so to speak.
I wanted to say goodbye to the moors and views so I took the train and the bus to Haworth - with the usual anxiety and worry - and visited the Brontë Museum again and then I went west, out on the moors. I followed a trail, the Brontë Way, and at first it was populated by tourists and walkers like myself. But after I passed the Brontë Waterfall the number of hikers thinned out. The path was thin and less well-trodden. It travelled up and down the moors, along the little brook that led to the waterfall. The view showed Haworth and Keighley in the distance, and green-and-brown hills in every other direction.
And. It. Was. Breathless.
The extraordinary feeling, the one I will cherish, was walking straight away from civilisation (Haworth in my back, nothing in front of me). Even though I knew I wasn't alone (ridiculous bikers left by the previous wall, a few meetings in the form of fellow hikers), it felt a if I was leaving the populated world behind. It felt as if I could walk until I dropped without seeing another human being. And all the time in that gorgeous environment.
It was the feeling of freedom. A feeling I so strive for, adore and yearn for. Am addicted of.


The second was the night in March when I went to my second poetry reading and was blown away by Helen Mort and made casual conversation with a girl also in my module 'Fictions of Fallen Women' and saw someone I was almost-interested in and he noticed me and I realised (that very night) that I was being ridiculous and also was having a crush. Stupid of me, naturally. All of this was important and I can't tell what mattered the most which is why I love that night so much. I spent the ride on the bus home SO HAPPY, my heart beating unevenly and I could taste hope and beauty and life and it was unbelievable.
The wonderful part is that reading Helen Mort's poems brings me back. Not it back to me; me back to then. I'm there. I hear the cadence and warmth and melancholy in her voice when she says

So forgive me if I looked up
past your face, to see those nearly-silver drops
make rivers in the dark, and, for a moment,
almost thought there might be stars named after us.

and like hearing a song once sung at a concert, I'm there, alive and feeling everything at once; the hope and the disappointment and the acceptance of the ways of life.

(That horrible hope.)

It was what I brought with me from Leeds. A land where I want to be buried. Where I feel at home. And the fragile, flickering hope that there might be somewhere I could feel content and alive; a room with kindred souls and poetry and red wine.

Goodreads list

I'm currently in the middle of long-and-slow move into a student flat, as well as working full time, which means I don't have a whole lot of time. I think I'll have more time this weekend; until then, I have a Goodreads book list I wanted to finish.

What was the last book you marked as "read"?
Howl's Moving Castle by Diana Wynne Jones (my yearly, this-time-fifth re-read)

What are you "currently reading"?
Girl Reading by Katie Ward, which I just started, and Helen Mort's poetry collection Pint For the Ghost

What was the last book you marked as "to read"?
Outlander by Diana Gabaldon - suggested by one of the friends I visited Scotland (and Culloden) with.

What book do you plan on reading next?
I only have a few of my unread books not stored beneath my bed, so the next one will probably be a collection of Jane Austen's early and unfinished writing. I have a few poetry books as well, which I'm hoping to trick myself into reading by leaving them out.

Are you doing a 2014 Reading Challenge?
I am! Not a very trying one because I'll have school reading (which is usually fiction, though). I did 52 books, one per week, but I think I will surpass it. But I do want to re-read some books as well.

Do you have a wish-list?
YES. I'm looking forward so much to buying Anne Carson's Glass, Irony and God. I read one of the poems slash essays in it, the one about Emily Dickison, and it was the best thing I have read this year. I can't with words explain how glorious it was. So I need to have it my hand and touch the words and also read the rest of the collection.

What book do you plan on buying next?
Probably the previously mentioned one. I don't want to buy anymore books since I bought so many (too many) in England when I lived there. And by the end of summer I'll have to buy a ton of books for school (which is not too difficult when you're studying English).

Do you have favourite quotes on Goodreads?
I do, but far from all of them or even my favourites. I'm annoyed with the fact that they very rarely have my favourite quotes from the books there.

Who are your favourite authors?
Currently (and always?) Donna Tartt, Virginia Woolf, Diana Wynne Jones, the Brontë sisters, Jane Austen, Sylvia Plath and Melina Marchetta to a name a few.

Have you joined any groups?
Yes, but I'm not active in any of them.


My Goodreads is here.